{"id":14355,"date":"2025-11-03T15:02:48","date_gmt":"2025-11-03T09:32:48","guid":{"rendered":"https:\/\/newzquest.in\/why-a-cannes-winning-iranian-filmmaker-had-to-make-his-new-film-in-hiding\/"},"modified":"2025-11-03T15:02:56","modified_gmt":"2025-11-03T09:32:56","slug":"why-a-cannes-winning-iranian-filmmaker-had-to-make-his-new-film-in-hiding","status":"publish","type":"post","link":"https:\/\/newzquest.in\/hi\/why-a-cannes-winning-iranian-filmmaker-had-to-make-his-new-film-in-hiding\/","title":{"rendered":"Why a Cannes-winning Iranian filmmaker had to make his new film in hiding"},"content":{"rendered":"
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\u090f\u0928 \u0936\u0949\u0930\u094d\u091f\u094d\u0938'<\/div>\n
Why a Cannes-winning Iranian filmmaker had to make his new film in hiding<\/div>\n
Iranian filmmaker Jafar Panahi, long persecuted for his unflinching portrayals of life under repression, returns with It Was Just an Accident, a gripping moral thriller born from his own time in Evin Prison. Secretly filmed despite surveillance, the Cannes Palme d\u2019Or winner cements Panahi\u2019s legacy as cinema\u2019s most resilient dissident, turning confinement itself into fearless art.<\/div>\n
Read Full Story<\/a><\/div>\n

Technically enhanced content presented under fair use in public-interest journalism.<\/span><\/div>\n

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N Shorts Why a Cannes-winning Iranian filmmaker had to make his new film in hiding Iranian filmmaker Jafar<\/p>","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAowl-PACw:productID":"","footnotes":""},"categories":[2149],"tags":[],"class_list":["post-14355","post","type-post","status-publish","format-standard","hentry","category-news-shorts-en"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\n\t\t